15.03.–06.07.2025 / Ballet
Kaleidoskop
Iratxe Ansa & Igor Bacovich / Mthuthuzeli November / Jean-Christophe Maillot
Sat 15.03.2025
Opernhaus Düsseldorf
19:30 - 22:15
Premiere Ballet
Dates
17:30 - 19:00
Ballett-Workshop Ballet
19:30 - 22:15
Premiere Ballet
19:30 - 22:15
Circle of Friends-Premiere Ballet
18:30 - 21:15
Ballet
Afterwards: Nachgefragt
19:30 - 22:15
Ballet
19:30 - 22:15
Ballet
15:00 - 17:45
Ballet
19:30 - 22:15
Ballet
19:30 - 22:15
Ballet
18:30 - 21:15
For the last time this season Ballet
Content
Multi-coloured motion play times 3
Moto perpetuo (world premiere)
Invocation (world premiere)
Vers un Pays Sage
World premiere on 29 December 1995, Salle Garnier Opéra de Monte-Carlo, Les Ballets de Monte-Carlo
Invocation (world premiere)
Vers un Pays Sage
World premiere on 29 December 1995, Salle Garnier Opéra de Monte-Carlo, Les Ballets de Monte-Carlo
A kaleidoscope is a colourful, varied, stimulating mixture of something that is characterized by constantly changing colors, shapes and impressions.
Moto Perpetuo (UA)
The choreographer duo Iratxe Ansa and Igor Bacovich explore the perpetual motion and transience of time. Under the title “Moto Perpetuo” - perpetual motion - they develop their own physical language, which emerges from intuition together with the dancers in interaction with stage elements and light, inspired by the symmetries and circular movements in the music of Philip Glass.
Invocation (UA)
For his creation, South African choreographer Mthuthuzeli November draws inspiration from the sounds, tones and rhythms of his homeland in the Eastern Cape. The “calling” into the interior of a person, a form, a state and the resulting echo in music and movement bears strong autobiographical traits. Starting from the choreographer's family home and his memories of the music of this place, he leads the audience into a world of its own.
Vers un Pays Sage (1995)
"Vers un Pays Sage” (1995) by French choreographer Jean-Christophe Maillot looks like a watercolor painting in shades of red, green and yellow under the warm southern French sun. Dance is dialog - between bodies. Driven by the fast-paced music of John Adams' “Fearful Symmetries”, this moving dialog between cutting-edge dance and expressive modernism, lively and full of energy, is a homage to Maillot's father, the painter Jean Maillot.
Moto Perpetuo (UA)
The choreographer duo Iratxe Ansa and Igor Bacovich explore the perpetual motion and transience of time. Under the title “Moto Perpetuo” - perpetual motion - they develop their own physical language, which emerges from intuition together with the dancers in interaction with stage elements and light, inspired by the symmetries and circular movements in the music of Philip Glass.
Invocation (UA)
For his creation, South African choreographer Mthuthuzeli November draws inspiration from the sounds, tones and rhythms of his homeland in the Eastern Cape. The “calling” into the interior of a person, a form, a state and the resulting echo in music and movement bears strong autobiographical traits. Starting from the choreographer's family home and his memories of the music of this place, he leads the audience into a world of its own.
Vers un Pays Sage (1995)
"Vers un Pays Sage” (1995) by French choreographer Jean-Christophe Maillot looks like a watercolor painting in shades of red, green and yellow under the warm southern French sun. Dance is dialog - between bodies. Driven by the fast-paced music of John Adams' “Fearful Symmetries”, this moving dialog between cutting-edge dance and expressive modernism, lively and full of energy, is a homage to Maillot's father, the painter Jean Maillot.
Musikalische Leitung
Dramaturgie
Moto perpetuo
Choreographie
Musik
Philip Glass
Bühne mit EstudiodeDos
Kostüme
Licht
Invocation
Choreographie, Bühne und Musik
Musik
Kostüme
Licht
Vers un Pays Sage
Choreographie
Musik
John Adams
Kostüme
Licht
Choreographische Einstudierung
Bernice Coppieters
Cast
Orchester